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Many authors use visual triggers to help
them get into -- or stay in -- their story.
Sometimes these triggers are actual objects -- a vase like one
the heroine admires, a silver letter opener like the murder
weapon. More often, however, they use pictures,
usually magazine photos, of the people and places in their book
-- an actress who is the physical embodiment of their heroine, a
picture of an old Victorian that is exactly what they had
pictured for the hero's house.
Visual triggers, for the most part, haven't
worked well for me. I can
never seem to find a picture that exactly fits the image I have
in my mind -- if it's a little bit off, it's worthless.
With A Good Man is Hard to Find,
however, I had a problem. I knew Kade really well -- I
learned a lot about him while he was stuck in the
saloon --
but I couldn't get Ren to talk to me.
I had a general idea of who he was -- a
tough ex-bounty hunter, emotionally scarred by his years growing
up in a brothel, and hardened by life in general (This changed a bit once I got to know him.) -- but it wasn't
enough to get into his head. I was working on a deadline
and I needed help.
Luckily, in this case, there was a
celebrity who I thought was the exact physical embodiment of
this character. In my mind, Ren looked exactly like Paul
Walker. With that in mind, I found about ten photos of the
man and hung them up around my computer screen. Worked
like a charm.
Btw, I still have the pictures up -- I
find them quite inspiring, even without a character
attachment.


(Disclaimer: I am not making any implications about Paul
Walker's sexual orientation. I chose him because he is a
spectacularly gorgeous man of whom photos are easily
accessible.)
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